Meet our 2023 Sonic Spotlight Winner: Autumnal!

Congratulations to our 2023 Sonic spotlight winners Autumnal!

autumnal is a fuzz folk band from Fort Collins and Denver, Colorado. They combine the
storytelling of folk songwriting with the tones and pedals of shoegaze to create a unique
sound they’ve dubbed ‘fuzz folk’. autumnal is fronted by childhood best friends Annalee
Knies on guitar and vocals and Geneva Hein on synth and vocals. They are rounded
out by Justice Murray on bass and Nina Dorighi on drums. Their lyrics detail the lives of
twenty-somethings navigating the world; writing about everything from queerness to
climate change. They strive to make the music scene a move inclusive space for
anyone who wants to get involved, starting with their own shows.

You can check them out on:

Bandcamp | Instagram | YouTube

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Sonic Spotlight 2023: Meet The Bands!

Sonic Spotlight Finalist Showcase is coming up on December 13th at Washington’s at 7pm!

Tickets are on sale now

Come check out these young rippers on the rise and cheer on your hometown heroes!

 Learn all about this year’s finalist in the bios below. See you there!

autumnal

autumnal is a fuzz folk band from Fort Collins and Denver, Colorado. They combine the
storytelling of folk songwriting with the tones and pedals of shoegaze to create a unique
sound they’ve dubbed ‘fuzz folk’. autumnal is fronted by childhood best friends Annalee
Knies on guitar and vocals and Geneva Hein on synth and vocals. They are rounded
out by Justice Murray on bass and Nina Dorighi on drums. Their lyrics detail the lives of
twenty-somethings navigating the world; writing about everything from queerness to
climate change. They strive to make the music scene a move inclusive space for
anyone who wants to get involved, starting with their own shows.

clementine

This quintet, freshly squeezed out of Fort Collins, CO, consists of bright guitar riffs
juxtaposed with heavy-hitting drums and lyrics. With an alternative rock, punk, and
soulful grip on the music they write and perform, clementine offers something unique
and diverse. Their energy is over-the-top intense, and their sharp, in-your-face
presentation is something you just have to see.

Stone Jackals

Stone Jackals is a Colorado rock band formed by high school friends in 2018. We play
many types of music from indie rock to heavier garage rock. We have recently played
shows with acts like The Orwells and Zella Day and want to continue to increase our
presence in Colorado and elsewhere.
“Chemical Canopy holds the fort down as part of the new wave of indie
rock-inspired, neo-psychedelic style. It’s steady bouncing bass with simple but
effective guitar riffs and low, smooth vocals that pleasantly reverberate in your head. It’s
funkadelic rock with a dash of dopamine to ease a tired mind after a long week.”
– Andrew Venegas, 303 Magazine

 

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FCMoD Squad Application Date Extended!!!

Got a passion for music, museums, people and fun? Joining the FCMoD Squad might be just what you’ve been looking for. If you’re between the ages of 15 and 19 – this is an amazing opportunity to meet great people, gain experience and learn about the music and museum industries. The FCMoD Squad provides hands-on experience working with the local music community in a safe, friendly environment. Mod Squaders review and judge entries for local music events where they might even get on stage and emcee. They tour world-class music studios and attend college level discussions while representing the voice and vision of our emerging youth at the museum and beyond. Applications are now closed! Please check back next summer if you missed this year’s application deadline.

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Sonic Spotlight Finals Set for December 8th!

The second and final showcase, the SPOTLIGHT ROUND, will feature the three winning artists from the Sonic Round: Fiona Sofia, Hospital Socks, and HYGEIA. This in-person, live music showcase at Washington’s on Thursday, December 8, 2022 will premiere music videos from each finalist created during the program plus live performances, interviews, and surprises in an exciting night of fresh sounds. Also featuring sets from year 2 semi-finalist Forrest Nelson and Listener’s Choice winner: Clementine!

A panel of music industry judges will be present during this event and will announce which finalist is the winner of Sonic Spotlight 2022.

Find out much more at www.sonicspotlight.org.

FIND TICKETS

This music showcase and competition brought to you by Fort Collins Museum of Discovery, 105.5 The Colorado Sound, and Bohemian Foundation supports our all-ages music scene by giving emerging artists the opportunity to showcase original music on a large platform, connect with peers and industry professionals, win prizes, and level up their music.

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FCMoD Squad Applications Now Open!

Do you love music? Do you love engaging with your community? Join us and go behind the scenes of the local front range music community. The Fort Collins Museum of Discovery is excited to announce the first year of the FCMoD Squad!  

What it means to be in the FCMoD Squad:  

The FCMoD Squad are individuals between the ages of 15 and 19 who are interested in becoming more involved within The Fort Collins Museum of Discovery, the Fort Collins music scene, and their community.  

Squad members will: 

  • Work behind the scenes in music events such as Sonic Spotlight https://www.sonicspotlight.org/, FoCoMX https://focomx.focoma.org/, and more. 
  • Actively provide insight into current and future museum exhibits, programs, and events.
  • Participate in outings to other community groups and organizations.  

Responsibilities of a FCMoD Squad Member:  

  • Attend meetings on the 2nd Thursday from 6:00pm- 8:00pm at FCMoD and at least one monthly activity/tour.
  • Actively engage and contribute in meetings and activities. 
  • Inform the Squad through email, text, or call if unable to attend a meeting with valid reason such as an illness, extracurricular activity, school event, or other circumstance.  
  • Embody the Fort Collins Museum of Discovery Mission and Vision. 
    • Mission: The museum creates meaningful opportunities to learn, reflect, and have fun through hands-on and collections-based explorations in science and culture. 
    • Vision: To inspire inquisitive thinkers and encourage responsible stewardship of the future. 

To Apply:

Applications are open to Fort Collins/Front Range residents ages 15-19. Submissions will open July 12th ending on August 1st, with interviews to follow. Members will serve a total of nine months from August to April, with a maximum of two terms. 

Visit www.fcmod.org/fcmod-squad to apply! Questions? Email Nick Duarte, Curator of the Music & Sound Lab, at nduarte@fcmod.org.

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The Music Production Process

Have you ever wondered how the music you listen to made it to a streaming platform, CD, or the radio? Sure you’re aware the song is recorded in a studio, but then what happens? How does it get to sounding how it does, ready for an album? And then how does it get released from there? This blog will inform you about the processes of music production, and how our favorite songs we hear start from an idea, to a tangible recording in our hands!

Writing the song
Each artist has a different process for writing songs. Many well-known bands and singers will often have a producer. Producers have a very important role in the process of getting songs ready to release. They often help the songwriting process by making suggestions of what the artist could add or take out of the song they’ve written so far, whether it be changing the chord progression, adding a bridge, suggesting words for lyrics that fit better, or anything to improve the song! It’s also important to note that not all artists write their own songs. Often in pop music, a songwriter writes songs for specific singers. Did you know that Rihanna’s “Umbrella” was originally written by a handful of producers for Britney Spears to sing? She turned it down as she just finished her album, so it was floated over a couple artists until Rihanna accepted it. Once a song is written, it’s ready for the studio. Sometimes artists even go into the studio without having finished writing. Sometimes it’s because the producer will be there to help write, or the creative atmosphere of the studio helps the artist to write!

Recording
The recording process also looks different from artist to artist, but accomplishes the same thing. Professional recording sessions take place in a studio, where the rooms are specifically arranged for high quality sound. Rooms can be built specifically to absorb and reflect certain frequencies, and/or have sound proofing gear installed. Sometimes artists take a DIY approach and record their entire album using gear in their bedroom! In a professional setting, recording engineers oversee the process- placing mics properly on the instruments, getting appropriate levels set, making sure everything is set up to sound the best it can. Producers also help artists find the sounds that will help get the song’s vision across, whether it’s a special technique for setting up a microphone to get vocals sounding a certain way, or setting guitar tone. Then, a song is usually recorded over and over, with enough takes to have every part of the song sounding good. In a multi-instrumental band, drums are often recorded first so that each other musician has a foundation to overdub their parts. Overdubbing means recording a track over an already-existed recording track, so in this case, the drums are already recorded, and everything else can now be overdubbed. Bass is typically recorded second, then guitar and remaining instruments. Vocals are almost always last. With the digital technology in recording nowadays, it’s very easy for musicians to fix a measure or note they may have messed up, in which they will punch in. Punching in means the engineer will start the recording at the part where the mistake is, and the musician can simply play correctly over the wrong part without having to redo the whole song. Artists that recorded before this technology was available had to redo the entire song if there was one big mistake! However, even with this technology now, recording is a lengthy process, and one album may take months or years.

Mixing
After the recording is complete, it’s time for an engineer to mix the song. This means setting levels of each of the instruments, making sure they’re all well-balanced and heard in the song, as well as adding EQ and other things to make the song come to life. This process can take a couple days or weeks for one song, and months for an album. The artist communicates the vision they want for the song so the engineer can get the sounds dialed in and make it happen. The artist may want a warm, bright mix with punchy high frequencies for a pop tune or a darker mix with depth. The mixing process is just as creative as the songwriting process, the mix having the ability to transform the recording and give it a completely different feel. Often the engineer will send their mix to the artist, the artist will give feedback of what they want to sound different, the engineer makes a new mix, sends it over, and it happens all over again until the artist is satisfied.

Mastering
Once the mix is complete, the song needs to be mastered. Mastering is the process of getting a track ready for distribution by balancing it to be at the level of volume and quality of songs that are already established. The mastering engineer starts by bringing the track up in volume to be as loud as songs already out there. They may download an existing song to use as a reference track to set the level of the song they’re working with. This way, after the song is released, its volume isn’t a lot quieter than all the other songs on your playlist. Then, the mastering engineer may widen the mix with stereo enhancement (balancing the left and right of the audio). After that, more EQ and compression may be done to polish off the song.

Distribution
Now the song is ready for consumption! Artists will then decide how they want to release their music- on CD’s? Spotify? Youtube? At this point, the completed song file is submitted to distributors to make CD’s, Vinyl, tapes, uploaded on streaming services, or sent to radio stations. Now it’s a tangible product for anyone to access and listen to! Can you imagine your favorite songs going through these processes? There’s so much time and work that goes into one song that takes 3 minutes to listen to. Does that change how you view what you listen to?

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“Music Therapy! What’s that?!”

Tune In For Music Therapy

Clap along if you feel like you know what MT’s do. Someday, people will know what a music therapist actually does. Scratch that! TODAY is the day!

According to the American Music Therapy Association, music therapy is defined as the clinical and evidence-based use of music interventions to accomplish individualized goals within a therapeutic relationship by a credentialed professional who has completed an approved music therapy program. Music therapy, an established health profession, uses music to address physical, emotional, cognitive, and social needs in an individual and group setting. Music therapy can be used across the lifespan of those with varying diagnoses. In short, music therapists use music to help individuals work on non-musical goals. (Image: Northwestern University, 2018)

Oh, Oh It’s Magic…

There is a difference between music AS therapy and music IN therapy. Music AS therapy is a broad use of music to appeal to a wide range of behaviors, emotions, and well-being. Music used AS therapy is not directed at a specific outcome, and it is frequently used by those who consider themselves music therapists but have not been formally trained. Music IN therapy is music used to achieve a specific goal or set of goals. Music IN therapy consists of different techniques based on the best evidence available. Those that use music IN therapy are highly trained both in music and in therapeutic techniques. Until the middle of the 20th century most music therapy practice followed the music AS therapy model. It has only been in the past 60 or 70 years ago that we see more attention paid to music IN therapy.

(Ali Blackwood Illustration)

Follow the yellow brick road….for a degree in music therapy

         (Image: AMTA website)

Music therapists that receive a bachelor’s degree or higher, have to complete an approved program at a university or college, including a clinical internship of 1200 hours. Then they are allowed to become credentialed (Music Therapist-Board Certified) through the Certification Board of Music Therapists. Music therapists not only study music, but they also study psychology and medicine. The music therapy field is an evidence-based profession with a foundation in research. Music therapists don’t simply play songs for people or play music in the background. Music therapists complete a full assessment to determine individuals’ strengths and weaknesses, develop non-musical goals and objectives, create a treatment plan that can help with the transfer of skills to their daily lives, and continue to evaluate the needs and progress of each client through the entirety of the therapeutic process.

Where, oh where can you find an MT? At 35+ settings!

  • Medical facilities
    • General hospital settings
    • Hospice
    • Oncology
    • Physical Rehabilitation
    • Home health agencies
    • Out-patient clinics
    • Veterans Affairs (VA) facilities
    • Partial hospitalization
    • Children’s hospitals or units
  • Geriatric facilities
    • Adult day care
    • Assisted living
    • Geriatric facilities (not nursing)
    • Geriatric psychiatric units
    • Nursing homes
  • Developmental centers
    • Group homes
    • Intermediate care facilities
    • Community day treatment programs
    • State institutions
  • Educational facilities
    • Children’s day care/preschool settings
    • Early intervention programs
    • Schools (K-12)
  • Mental health settings
    • Child and adolescent treatment centers
    • Psychiatric hospitals
    • Community mental health centers
    • Substance abuse programs
    • Forensic facilities
    • Inpatient psychiatric units
  • Private practice settings
    • Music therapy clinics
    • Clients’ homes
    • Providing contract services in any facilities previously listed
  • Other settings
    • Diagnosis-specific support groups
    • Wellness and prevention programs
    • Work in music retailer setting

Benefits of music therapy…let me count the ways…

Music therapists can work with individuals who have a variety of needs that could include medical, learning and academic, mental health, rehabilitation, developmental, communication, or wellness. The populations in which music therapists work with range from premature infants to older adults. There are numerous ways music therapy has been found to address the needs of those in an individual or group setting. The areas include, but are not limited to:

  1. Labor and Delivery – relaxation; support of birthing process
  2. Premature Infants – improved feeding behavior and weight gain
  3. Neurological Disorders & Brain Injury – protocols that activate neurological responses in support of cognitive, motor, communication, and social objectives
  4. Chronic Illness & Oncology – music + coping techniques to assist with pain management and stress reduction
  5. Mental Health – provided opportunities to explore and process therapeutic issues
  6. Medical and Surgical Tests/Procedures – reduce anxiety and improve treatment response
  7. Healthy aging & Optimum Performance – provide music programs based on theories of personal growth, awareness, and learning
  8. Developmental Disabilities & Autism Spectrum – teach cognitive, motor, social, communication, and daily living skills
  9. Substance Abuse and Addictive Disorders – use introspective techniques such as songwriting and lyric analysis to aid clients’ transition from denial to determination in recovery process
  10. Physical Disabilities and Sensory Impairments – music incorporated into rehabilitative treatment to allow frustration to yield to fulfillment
  11. Alzheimer’s Disease and Dementia – access individuals’ past to trigger short- and long-term memory, decrease agitation, and enhance reality orientation
  12. Hospice and Bereavement – help guide individual and/or loved ones in life’s processes

                                                               

              (Image: Kora Leith Blog)

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Happy Birthday to the Grandparent of Guitars – The Fender Esquire!

 The year 2020 marks the 70th birthday of Leo Fender’s first solid-body electric guitar. It was also the first mass-produced electric guitar in history, and laid the initial yellow bricks on the road to Guitar Oz. 

 

In 1946, the Fender Electric Instruments Company was formed in Fullerton, California. Clarence Leonidas Fender had been born in Anaheim in 1909, and at only 37 years old he would start the company that would lay the bedrock for the modern electric guitar. He had opened his first shop, Fender’s Repair Service, 8 years prior in 1938, but was ready to move on. He turned the radio shop over to his friend Dale Hyatt and went fulltime into the music instrument business. By 1949, Fender guitars and amps were firmly established in the music industry. To the left, a photo shows a young Leo Fender (far right) and others with an early Fender guitar model.

The year 1949 was also monumental because Leo and coworker George Fullerton completed the first prototype for the famous Esquire guitar. The prototype (pictured to the left) shared a similar body shape with later guitars of the same vein. The shape was a dreadnaught style with a single cutaway, allowing easy access to the upper frets of the guitar. In the next year, 1950, the Fender Electric Instruments Company officially released the first mass produced guitar ever, the Fender Esquire. The biggest change from the prototype to the first model (seen below) was the headstock shape. The Esquire was a solid-body, single pickup electric guitar – a pickup is a magnet that “picks up” the vibration from the strings and sends it to an amp. The pickups on the first Esquires pictured are the metal boxes at the end of the strings. The guitar also had one knob to control the overall volume and one knob to control the tone, or timbre, of the guitar’s pickup. The first advertised color scheme was a black body with a white pick guard, but later produced Esquires had a blonde body with a black pick guitar (as pictured). This first model also did not have a truss rod. A truss rod is a piece of metal that runs inside and along the neck. The end of the rod can be turned with a tool which will push or pull the neck in one direction or another. This is used to help straighten the neck when the tension from the strings causes it to bend over time. Only about 50 of these first Esquires were made. As orders increased, the needed improvements were recognized by Leo and George. Just months later they set out to revamp their already very popular electric guitar model.

 

Later in 1950, Fender came out with what was shortly known as the Broadcaster (pictured on the left). This model came with a few upgrades which included the addition of a much needed truss rod along with a second pickup, located next to the base of the neck. This pickup, because of its location and construction, had a much rounder and less bright sound. There was also a pickup selector, a switch which would allow the player to turn on one pickup, the other, or both. This variety of tones and combinations made the Broadcaster a much more versatile instrument and the added truss rod made it more durable. At the time, fellow musical instrument company, Gretch, caught popular wind of Fender’s new release and took legal action against the name, due to the conflict of their Gretch Broadkaster drums. Fender agreed to change the name and “Broadcaster” was removed from the Fender headstock. During the time that the company was renaming their flagship guitar, the guitar they were producing had nothing but “Fender” on the headstock. Guitars from this short era are known as Nocasters, hinting to their lack of a visual name. In 1951, Fender rereleased their electric guitar model, and named it the Telecaster. To this day, the Telecaster model still carries its iconic name, form, and sound onto the stage and into the studio through the hands of countless musicians.

Leo did not stop there in 1951. That same year he released his company’s first electric bass model, known as the Precision Bass (a 1952 model to the left). This model is still mass produced today and is one of the most popular and used bass guitars. Next in line came Leo’s second guitar model, that would achieve him even more historic fame and forever make him an icon in the guitar world. The Fender Stratocaster followed the Telecaster in 1954, and took the world by storm. It has stood atop the pillar of modern guitar as the most recognized shape and symbol of the instrument. It has been used on countless famous recordings and is only second in Fender origin to the one and only Telecaster.

 

 

 

In 1964, Fender began producing their first acoustic style guitars. Later that year, the visually distinctive, offset guitar called the Mustang was released. Unfortunately, Leo Fender began developing health problems at age 55 and decided to sell his company. On January 5th, 1965, Fender sold to Columbia Records Distribution Corps. for $13 million. Throughout the years after Leo’s ownership, Fender has undergone many changes. Regardless, they have remained at the top of the list of guitar manufacturing and developing giants. Even though decades of growth and change have coursed through the Fender name, the legendary shape of the original Esquire holds true in what is still known as the Telecaster. Above is a photo of an old guitar factory line. Today, only high end guitars are handmade, a testament to how popular guitar playing has become.

Happy Birthday to the Fender Esquire! 2020 marks its 70th year in existence. It still remains one of the most recognized and favored guitars around the world and many competing companies create similar styles. The specific photograph to the right is of the 70th anniversary Esquire model released in 2020. It has a special seafoam green finish, but features the classic white pick guard and single pickup. This rerelease is a passionate ode to an all time classic. The Esquire was the first ever mass produced electric guitar, a huge achievement that paved the way for so much. For such a cornerstone in a moment of guitar history, the shape, sound, and love for the Fender Esquire remains timeless.

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Daily Discovery: Women Who Rock

Post written by  Forrester Tamkun, Music & Sound Lab Assistant.

Daily Discovery: Women Who Rock

Throughout history there has always been amazing and strong women. Here are a few such woman who made their mark in the Music Industry.

Dolly Parton

Dolly Rebecca Parton was born on January 19th, 1946, in Locust Ridge, Tennessee. She was the fourth of twelve children in a poor farming family. However, from a young age she showed a high aptitude toward music and would ultimately pioneer the emergence of fusing the genres of country and pop. Upon high school graduation, Dolly set off toward the music Mecca of Nashville, where here musical career began to blossom.

In Nashville, Parton became the protégée of Porter Wagoner, a star of the Grand Ole Opry. Working with Wagoner gathered attention toward Parton and she quickly became one of country’s most popular singers. Parton launched her solo career in 1974 and released her critically acclaimed song “Jolene.” She was chosen as female singer of the year by the Country Music Association (CMA) for 1975 and 1976. In 1978, Dolly began expressing her poppy side with her song “Here You Come Again,” which won her a Grammy. That same year she was declared entertainer of the year by CMA, speaking odes to her convergence of the two musical styles.

Click here to listen to “Jolene” by Dolly Parton.

Parton would continue to win Grammy’s and awards throughout her musical career and was inducted in 1999 into the Country Music Hall of Fame. Aside from heavy success in the musical realm, Parton has acted in several successful films as well as made guest appearances on many films and television shows.

She has also notably been very charitable in her life as well. In 1988 she created the Dollywood Foundation which aimed to provide educational resources and inspiration for children. She was named a Living Legend by the Library of Congress in 2004 for her enrichment of American cultural heritage.

Aretha Franklin

Perhaps one of the most distinguishable female voices in music is Aretha Franklin. The Queen of Soul was born Aretha Louise Franklin in Memphis, Tennessee, on March 25th, 1942. Her father, C.L. Franklin was a Baptist minister at the New Bethel Baptist Church in Detroit for over thirty years. He was known to have a “Million-Dollar Voice” which seemingly passed onto Aretha as she grew up singing in church and learning to play the piano by ear, culminating in complete understanding of the correct tones and pitches.

Aretha signed with Columbia Records at the mere age of 18 and released her first song and album, reaching up to 10 on the billboard. In 1966 she signed with Atlantic Records and released her monumental hit song “Respect.” She released three more top ten hits through Atlantic Records and won her first two Grammy’s. Not only did Aretha achieve musical success, but she was consistently a voice that spread the importance of equality, peace, and justice for Americans.

Click here to listen to “Respect” by Arethra Franklin.

Aretha set history as the first woman to be inducted in the Rock ‘N Roll Hall of Fame. Her 1972 album, Amazing Grace, is the best-selling gospel album of all time. Franklin collaborated with countless other musicians throughout her life, including George Michael, Elton John, and James Brown. She too appeared in film, most famously alongside Ray Charles and James Brown in the hit feature film The Blues Brothers, in 1980.

The Queen of Soul will always resonate as one of the most powerful voices in music history. Her music and what it stood for will echo the dire importance of racial equality and justice in society.

Joan Jett

Aretha set history as the first woman to be inducted in the Rock ‘N Roll Hall of Fame. Her 1972 album, Amazing Grace, is the best-selling gospel album of all time. Franklin collaborated with countless other musicians throughout her life, including George Michael, Elton John, and James Brown. She too appeared in film, most famously alongside Ray Charles and James Brown in the hit feature film The Blues Brothers, in 1980.

Click here to listen to “I Love Rock n’ Roll by Joan Jett.

The success of The Runaways helped Joan Jett go solo in the late 1970’s. However, it was the band she would form after her solo career that would really help Jett take off in music history. In 1980, Jett formed the group Joan Jett & the Blackhearts. The band’s most famous song, “I Love Rock N’ Roll,” is become a staple in the history of the genre. It was released in 1981 and was the top song on the Billboard charts for seven weeks straight. It is in fact Billboard’s number 56th song of all time and was inducted into the Grammy Hall of Fame in 2016.

Joan Jett herself was inducted into the Rock N’ Roll Hall of Fame in 2015. Her albums have achieved either gold or platinum awards. On top of achieved monumental fame and success in the music, she is also an inspiration for other realms. She has consistently been a prominent feminist icon and animal activist throughout her life. She will forever be a symbol of Rock N’ Rock and feminine strength that helped push the fresh roots of rock music into Earth.

Joni Mitchell

Joni Mitchell was a Canadian experimental singer-songwriter who was once described as the “Yang to Bob Dylan’s Yin, equaling him in richness and profusion of imagery.” She was born on November 7, 1943, under the original name Roberta Joan Anderson, in Fort McLeod, Alberta, Canada. She studied art in her hometown until 1964 when she moved to Toronto. There she began performing at local clubs and coffeehouses, and had a brief manage to folksinger Chuck Mitchell. In 1967, Joni Mitchell relocated to New York City where she made her debut album, Songs to Seagull. Her first album was produced by David Crosby and was a massive success with much attention paid toward its maturity of lyrics.

With each following release Mitchell’s popularity and following grew. Clouds in 1969 won a Grammy for best folk performance and Blue in 1971 was her first million-selling album. Mitchell’s career has not slowed throughout her life. She has released a total of 19 studio albums and 3 live albums. She is without a doubt one of the first women in modern rock to achieve a longevity of critical recognition. She inspired countless artists including Bob Dylan, Prince, Suzanne Vega, and Alanis Morissette. She was inducted into the Rock N’ Roll hall of fame in 1997 and in 2002 won a Grammy Award for a lifetime achievement.

Click here to listen to “The Circle Game” by Joni Mitchell.

Follow along with our Daily Discovery! Click here for all activities that you can do at home.

Educational opportunities like this are supported in part by Bohemian.

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Daily Discovery: Women Who Changed the Music Industry

Post written by  Goose Seifert, Music & Sound Lab Assistant.

Daily Discovery: Women Who Changed the Music Industry

Historically, women and their contributions to music have been very overlooked in the music industry. Let’s take a look at a few women who molded various genres and eras with their music!

Ruth Brown

Ruth Brown is a singer, songwriter, and actress born in Portsmouth, Virginia in 1928. Ruth started singing in nightclubs and performing with Lucky Millinder’s orchestra in 1945, taking a different path than her church choir director father, who did not want his daughter listening to “the devil’s music.” After a disc jockey saw Ruth play with Duke Ellington, he told the higher ups at Atlantic Records what talent he had seen. Not long after, Ruth suffered from a car crash and signed to Atlantic Records while in bed at the hospital! After recovering, she released her first song, “So Long” which reached #6 on the U.S. Billboard R&B chart. Following that in 1950, Ruth peaked the charts as #1 with the new release “Teardrops from my Eyes.” After this, Ruth was acknowledged as the queen of R&B, as well as “Miss Rhythm.” Her releases afterwards continued to top the R&B charts, and they stayed up there for a while. Because of Ruth’s great success, she became a household name and was responsible for Atlantic being the foremost label of the genre.

Patsy Cline

Patsy Cline was a country singer born in Winchester, Virginia in 1932. Patsy began performing on the local radio station at age 15, and in a local band occasionally appearing on country television channels. After performing “Walkin’ After Midnight” on CBS’s Arthur Godfrey’s Talent Scouts, she had her first hit on country and pop charts, gaining national recognition. She began to work under Decca Records in 1960, which led to her first country billboard chart #1- “I Fall to Pieces” released in 1961. Next, she released “Crazy,” which also became a huge hit. Patsy also performed regularly on the Grand Ole Opry country radio broadcasts in Nashville. As her success was rising, the country music industry competed with the rock and roll industry, adopting more pop elements to appeal to more mainstream audiences. Patsy, who favored traditional country, continued to dress in western clothing and include yodeling in her music, bridging traditional country music with modern pop successfully. Patsy’s life ended suddenly in a plane crash in 1963, while she was 30 years old, however her legacy lives on, as she was the first woman inducted in the Country Music Hall of Fame, documentaries about her life have been produced, and her childhood home was turned into a museum.

Diana Ross

Diana Ross is a singer, actress, and record producer born in Detroit, Michigan in 1944. Her success emerged as lead vocalist of the Supremes, a vocal trio signed to Motown that quickly became the first U.S. group to have five songs in a row reach #1. The group went on to have 12 total chart toppers, the most billboard #1’s that an American group had in history! Around 1969, Diana left The Supremes to start a solo career, and continued her success by reaching #1 with “Ain’t No Mountain High Enough.” Following that, she had three other tracks reach #1 in the 70’s as she was also branching out and acting. In 1976, Billboard Magazine titled her as “Female Entertainer of the Century.” Diana continued to release pop records in the 80’s with a few more chart toppers, and returned to Motown for a couple records producing singles that gained international success. She sang lead on a top 75 hit for 33 consecutive years in the U.K. from 1964 to 1996. In 1993, she was declared the most successful female musician in history by the Guiness Book of World Records for her total of 70 hit singles in the Supremes and as a solo artist!

Suzi Quatro

Suzi Quatro is a musician and actress born into a musical family in Detroit, Michigan in 1950. Suzi was raised studying classical piano and percussion, and started a band with her older sister at age 14, fronting the band with vocals and bass. This band toured and released singles over a few years, until Suzi accepted a solo contract from producer Mickie Most. From there, Suzi worked with songwriters Chinn and Chapman to produce “Can the Can,” which reached #1 in 1973 and sold 2.5 million copies. She continued to release hits and was featured in the British Charts for 101 weeks between 1973 and 1980. Suzi then expanded her career into acting where she played roles in TV series and then hosted her own talk show. Throughout the 90’s, Suzi continued to release records, and began a radio career with BBC in 1999 that still continues today. In 2006, Suzi was nominated for broadcaster of the year at the Sony awards. While Suzi is successful in multiple areas of her career, she is widely recognized as the first female frontwoman to also play bass in rock and roll, paving the way for more female rock pioneers such as the Runaways and Tina Weymouth of the Talking Heads.

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